This workshop is a repeat of the previous days workshop, and covers:
The rules of colour theory and the application and breaking of those rules with analogous, complementary contrast and split complementary rules;
Arthur Streeton’s yellow/violet landscape palette and developing other complementary limited palettes;
Choosing and mixing colours for a successful limited palette painting;
Identifying warm and cool colours correctly;
The role of the complementary in greying off any colour;
How glazing can unify colour; and
The role of colour temperature in turning a form or distancing an object.